the days are gone, when beauty bright", song for voice & piano, S. 224 (K. 6B20c), The Celestial Country, cantata for 2 soloists, 2 vocal quartets, chorus, winds, strings & organ, S. 143 (K. 5A1), The Celestial Railroad, "take off" for piano, S. 116 (K. 3B19), Central Park in the Dark, for orchestra, S. 34 (K. 1C27), Chanson de Florian, song for voice & piano, S. 225 (K. 6B27b), Charlie Rutlage, for orchestra & optional voice (Set No. Charles Ives got his reputation cemented when John Kirkpatrick premiered his Concord Sonata in the year 1939. His music also gained considerable support from Aaron Copland and Henry Cowell. Charles Edward Ives was an American modernist composer. Marc-Andre Hamelin, piano  “This is not a nice sonata for a nice piano player,” wrote Charles Ives about his most famous work, “but something the writer had long been thinking about. These became more widely used later in the century. It is nothing less than a sweeping look at all creation, ending with a section called “Heaven” — “the rise of all to the spiritual [plane].” https://en.wikipedia.org/wiki/List_of_compositions_by_Charles_Ives 5, for theater orchestra (3), "The Other Side of Pioneering", S. 14, Set No. Many music critics noted that Ives pronounced his unique musical style in his work “The Unanswered Question”. Published in installments, the origin of the text is in Robert Seymour’s drawings and the idea was for Dickens to imagine the adventures of the grotesque members of a club of aged hunters. Intractably original, Ives carved out a timeless legacy of innovation in music while holding down a regular job as an insurance executive. 1/1 & 9/2), S. 10i & 18ii (K. 1C31/1 & K. 1C36/2), A Scotch Lullaby, song for voice & piano, S. 341 (K. 6B24b), A Sea Dirge, song for voice & piano, S. 342 (K. 6B75), The Sea of Sleep, song for voice & piano, S. 343 (K. 6B41a), The See'r, song for voice & piano, S. 344 (K. 6B49a), Sehnsucht, song for voice & piano, S. 345 (K. 6B35c), September, song for voice & piano, S. 346 (K. 6B61b), Serenity, for chorus, harps & violins ad lib & timpani, S. 177 (K. 5B3), Serenity, song for voice & piano, S. 347 (K. 6B60d), Set No. Charles Ives, Ahead of His Time. Led by Sam Pickwick, an aristocrat as naive as he is unhealthy, they lead us on an unforgettable journey through England. The Everything Symphony: Ives’ most ambitious work, mostly sketched in 1915, but left incomplete at his death, is his Universe Symphony. 7: Andante cantabile, etude for piano, S. 95 (K. 3B17), Study No. 3, S. 62 (K. 2C6), Sonata, for violin & piano No. 4), S. 5iv (K. 1A4/iv), There is a certain garden, song for voice & piano, S. 369 (K. 6B17), There is a lane, song for voice & piano, S. 370 (K. 6B39c), They Are There! Many of Ives's works present unique challenges for the performers brave and dedicated enough to tackle them, let alone commit them to disc. 7, for theater orchestra (4), "Water Colors", S. 16, A Set of 3 Short Pieces, for string quartet, double bass & piano, S. 84 (K. 2B16), Set of Five Take-Offs, for piano, S. 122 (K. 3B16), A Set of Pieces (3), for theatre orchestra, S. 20 (K. 1C28), The Side Show, song for voice & piano, S. 348 (K. 6B66), Silence Unaccompanied (9), song cycle for voice, chorus & chamber orchestra (arranged by Malcolm Bruno), Slow March, song for voice & piano, S. 349 (K. 6B10), Slugging a Vampire, song for voice & piano, S. 350 (K. 6B40c), Soliloquy, song for voice & piano, S. 352 (K. 6B43a), A Son of A Gambolier, for voice & piano (& optional kazoo chorus), S. 353 (K. 6B22), Sonata No. Genres: Modern Classical, Choral. 1), S. 380a (K. 6B64a/1), Easter Carol, for 4 soloists, chorus & organ, S. 166 (K. 5C19), Ein Ton (I Hear a Tone), song for voice & piano, S. 241 (K. 6B21b), An Election, for chorus & orchestra, S. 180 (K. 5B12), Élégie, for voice & piano, S. 242 (K. 6B38b), Emerson Overture, for piano & orchestra, S. 22 (K. 1B5) (incomplete), The Ending Year, for voice & piano, S. 243 (K. 6B40d), Evening, for theater orchestra with optional voice (Set No. 3, for orchestra, S. 9 (K. 1A8), Overture and March: "1776", for theater orchestra, S. 24 (K. 1C18), Overture in G minor, for orchestra, S. 25 (K. 1B2) (incomplete), Paracelsus, song for voice & piano, S. 324 (K. 6B66b), Peaks, song for voice & piano, S. 325 (K. 6B24), A Perfect Day, song for voice & piano, S. 326 (K. 6B18c), Pictures, song for voice & piano, S. 327 (K. 6B42a), The Pond (Remembrance), for orchestra (and optional voice), S. 40 (K. 1C26), Postlude in F, for orchestra in F major, S. 41 (K. 1B1), Practice for String Quartet in Holding Your Own!, for string quartet, S. 79, Pre-First Sonata, for violin & piano, S. 59 (K. 2C2) (incomplete in 5 movements, 2 rejected), Premonitions, song for voice & piano, S. 328 (K. 6B65a), Processional: Let There Be Light (I), for chorus & organ, S. 176/1 (K. 5C38/1), Processional: Let There Be Light (II), for male chorus & 2 organs (or 2 string groups), S. 176/1 (K. 5C38/1), Psalm 14, for double chorus, S. 14 (K. 5C35), Psalm 25, for chorus & organ, S. 148 (K. 5C29), Psalm 42, for solo voice, chorus & organ, S. 148 (K. 5C29), Psalm 90, for chorus, bells & organ, S. 152 (K. 5C37), Psalm 100, for double chorus (& optional bells), S. 153 (K. 5C33), Psalm 135, for chorus, brass, organ & percussion, S. 154 (K. 5C36), Psalm 150, for female chorus, chorus & optional organ, S. 155 (K. 5C26), Qu'il m'irait bien, song for voice & piano, S. 329 (K. 6B25e), Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3), Ragtime Dances (4), for orchestra, S. 43 (K. 1C17), The Rainbow (So May It Be! Through his father’s training, Ives became a church organist at age fourteen, and he wrote ‘Variations on America’ for his Church, which many distinguished Organists found extremely difficult to play. Ives wrote his greatest works between 1904 and 1920. “Please don't try to make things nice! Psalm settings (14, 42, 54… 1, for chamber orchestra, S. 49i (K. 1C34/1), Tone Roads No. Intractably original, Ives carved out a timeless legacy of innovation in music while holding down a regular job as an insurance executive. Charles Ives died on May 19, 1954 in New York City. There are no results available based on the filters you have selected. Surrendering to his humorous vein, his first novel makes him a promising exponent of his country’s literature. "Gyp the Blood" or Hearst!? I don't know if it's famous enough for you to have heard it, but it's one Ives work that is played and known all over the world. 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